Spanish Realist/Impressionist Painter, 1863-1923  Related Paintings of Joaquin Sorolla :. | The reflection of the pool water | Sevilla match the old Garden | The bathing of the horse | Torres | Unfortunately, the genetic |
Related Artists:
Aert van der Neer
1603-1677 Dutch Although generally known by the name of Aert, he usually signed himself Aernout. According to Houbraken, van der Neer spent his youth in Arkel near Gorinchem (Gorkum), a town on the river Waal, east of Dordrecht, where he worked as a majoor (steward) for the lords of Arkel. He became an amateur painter, possibly as a result of his contact with the Camphuyzen brothers Rafael Govertsz. (1597/8-1657) and Jochem Govertsz. (1601/2-59). Aert married Lysbeth Govertsdr (Liedtke) who was almost certainly Rafael and Jochem sister. Rafael acted as witness at the baptism of their daughter Cornelia in 1642. Around 1632 van der Neer and his wife moved to Amsterdam where, in about 1634, their eldest son, Eglon, was born.
Louis-Edouard Dubufe
1819-1883 French Son of Claude-Marie Dubufe. He was trained by his father and then by Paul Delaroche. He first appeared at the Salon in 1839 with the Annunciation, a Huntress and a portrait, winning a third class medal. He followed this in 1840 with an episode in the life of St Elisabeth of Hungary, which won him a second class medal; in 1844 he won a first class medal with Bathsheba and a genre scene set in the 15th century (all untraced).
Asher Brown Durand
1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.